FINALLY got around to watching #2: Kurahashi's taking some time to get
to know Cosette better, and we get to see just HOW much she viewed
her world with rosecolored glasses. My question is Cosette in flesh-and-blood form
right now, or more a projection / spirit? Or is it all in Kurahashi's mind again?
We learn of Cosette's portraitist: Marcello Orlando 18thC Italian artist,
the d'Auvergne Family (Cosette) was his patron. Cosette in this incarnation
doesn't want to be reminded of him and what he did... what kind of person
was Orlando? Cosette doesn't want to speak of him. Was there a dark
past between the two? And is Kurahashi becoming more like Orlando?
Kurahashi's friends are keying in on his absent-mindedness... while
Kurahashi sorts things out with Cosette, and his role as the means to
purify those restless souls in those vessels, Mataki takes it upon herself
to find out whether he's 'in love,' while another tries to perform an
exorcism on him. Yikes!! The guy's in love, and he's risking his life for it...
During Cosette's final exorcism, we finally learn the connection between
her and Orlando: they were engaged, but in a fit of insanity, he wanted
to freeze her beauty for all eternity -- why is it with artist types we have
to go crazy for anyone to write a story about us?
Again, incredible BG and animation really sucks you in and sets up the
atmosphere and mood of the piece. There' some closure here as
post-exorcism, Kurahashi admires how Cosette's endured that pain
and loneliness in that small body of hers, but she doesn't have to be
alone any more now. Awwwwww!!
Mataki in the meantime wonders who Kurahashi fell in love with....
are we gonna see a catfight between the two as one seeks to possess
Kurahashi in body, while the other has claim to his soul now and forever?
Regards